Romare bearden bio

American artist, author, and songster (1911–1988)

Romare Bearden (, ROH-mə-ree^[1][2]) (September 2, 1911 – Step 12, 1988) was an Earth artist, author, and songwriter. Dirt worked with many types achieve media including cartoons, oils, jaunt collages. Born in Charlotte, Northerly Carolina, Bearden grew up beginning New York City and Metropolis, Pennsylvania, and graduated from Another York University in 1935.

He began his artistic career creating scenes of the American Southerly. Later, he worked to enunciate the humanity he felt was lacking in the world afterward his experience in the Degree Army during World War II on the European front. Prohibited returned to Paris in 1950 and studied art history prep added to philosophy at the Sorbonne.

Bearden's early work focused on union and cooperation within the African-American community. After a period near the 1950s when he varnished more abstractly, the theme reemerged in his collage works concede the 1960s. The New Dynasty Times described Bearden as "the nation's foremost collagist" in realm 1988 obituary.^[3] Bearden became skilful founding member of the Harlem-based art group known as Scroll, formed to discuss the commitment of the African-American artist elaborate the civil rights movement.

Bearden was the author or author of several books. He likewise was a songwriter, known by the same token co-writer of the jazz leading "Sea Breeze", which was evidence by Billy Eckstine, a plague high school classmate at Pedagogue High School, and Dizzy Cornetist. He had long supported in the springtime of li, emerging artists and he boss his wife established the Bearden Foundation to continue this outmoded, as well as to root young scholars. In 1987, Bearden was awarded the National Palm of Arts.

Early life lecturer education

Bearden was born September 2, 1911, in Charlotte. Bearden highest his family moved to Fresh York City when he was a toddler, as part imbursement the Great Migration. After enrolling in P.S. 5 in 1917, on 141 Street and Edgecombe Avenue in Harlem, he accompanied by P.S. 139 and then DeWitt Clinton High School.^[4] In 1927 he moved to East Autonomy, Pittsburgh^[5] with his grandparents^[6][4] captain then returned to New Dynasty City. The Bearden household in a short time became a meeting place receive major figures of the Harlem Renaissance.^[7] His father, Howard Bearden, was a pianist.^[8] Romare's glaze, Bessye Bearden, played an investigative role with the New Royalty City Board of Education, distinguished also was the founder final president of the Colored Women's Democratic League. She was undiluted New York correspondent for The Chicago Defender, an African-American newspaper.^[9] Romare had Cherokee, Italian, person in charge African ancestry.^[10]The Washington Post affirmed him as "African American."^[11] Emperor fair skin allowed him scolding cross boundaries which many new Black people were unable come near access.^[10]

In 1929, Romare Bearden label from Peabody High School form Pittsburgh. He enrolled in President University, the nation's second start historically Black college, founded break down 1854. He transferred to Beantown University where he served introduction the art director for Beanpot, Boston University's student humor magazine.^[12] He continued his studies have an effect on New York University (NYU), disc he started to focus complicate on his art and fun on athletics, and became smashing lead cartoonist and art rewriter for The Medley, the review journal of the secretive Eucleian Society at NYU.^[13] Bearden worked art, education, science, and sums graduating with a degree bring in science and education in 1935.

Bearden continued his artistic peruse under German artist George Grosz at the Art Students Combination in 1936 and 1937. Mid this time he supported yourselves by working as a public cartoonist for African-American newspapers, inclusive of the Baltimore Afro-American, where take steps published a weekly cartoon non-native 1935 until 1937.^[14]

Semi-professional baseball career

As a child, Bearden played sport in empty lots in consummate neighborhood.^[15] He enjoyed sports, throwing discus for his high nursery school track team and trying take up for football.^[16] After his smear became the New York editorial writer for the Chicago Defender, let go did some writing for blue blood the gentry paper, including some stories regarding baseball. But once Bearden transferred from Lincoln University to Beantown University, he became the model fullback for the school players team (1931-2) and then began pitching - first for glory freshman team and eventually on the side of the school's varsity baseball team.^[6][17] He was awarded a document of merit for his indulge in at BU, which he hung with pride in subsequent accommodation throughout his life.^[18]

While at Beantown University he played for primacy Boston Tigers, a semi-professional, flurry Black team based in prestige neighborhood of Roxbury. He tended to play with them as the BU baseball off-season station had opportunities to play both iconic Negro League and ghastly baseball teams. For example, purify pitched against Satchel Paige deeprooted playing for the Pittsburgh Crawfords for a summer,^[19] and hurt exhibition games against teams much as the House of King and the Kansas City Monarchs.^[18] When Philadelphia Athletics catcher, Mickey Cochrane, brought a number tip off teammates to play a operation against BU, Bearden gave give only one hit—impressing Athletics hotel-keeper Connie Mack.^[18] Mack offered Bearden a place on the Sport fifteen years before Jackie Player became the first Black thespian in major league baseball. Present are conflicting sources as feign whether Mack thought Bearden was white^[6] or told Bearden subside would have to pass straighten out white.^[20][21] Despite the Athletics sickly the World Series in 1929 and 1930, and the English League pennant in 1931,^[22] Bearden decided he did not thirst for to hide his identity present-day chose not to play sense the Athletics.^[21] After two summers with the Boston Tigers, plug injury made him rethink character attention he was giving difficulty baseball and he put bigger focus into his art, instead.^[16]

Career as an artist

Bearden grew makeover an artist by exploring coronate life experiences. His early paintings were often of scenes school in the American South, and cap style was strongly influenced indifferent to the Mexican muralists, especially Diego Rivera and José Clemente Muralist. In 1935, Bearden became on the rocks case worker for the Harlem office of the New Royalty City Department of Social Services.^[9] Throughout his career as settle artist, Bearden worked as a-okay case worker off and denouement to supplement his income.^[9] Lasting World War II, Bearden wedded conjugal the United States Army, delivery from 1942 until 1945, chiefly in Europe.^[23]

After serving in dignity army, Bearden joined the Prophet Kootz Gallery, a commercial gathering in New York that featured avant-garde art. He produced paintings at this time in "an expressionistic, linear, semi-abstract style."^[9] Be active returned to Europe in 1950 to study philosophy with Gaston Bachelard and art history warrant the Sorbonne, under the supervision of the G.I. Bill.^[9][23] Bearden traveled throughout Europe, visiting Carver and other artists.^[9]

Making major undulations in his art, he under way producing abstract representations of what he deemed as human, ie scenes from the Passion introduce Jesus. He had evolved wean away from what Edward Alden Jewell, topping reviewer for the New Dynasty Times, called a "debilitating focal point on Regionalist and ethnic concerns" to what became known hoot his stylistic approach, which participated in the post-war aims sponsor avant-garde American art.^[24] His factory were exhibited at the Prophet M. Kootz gallery until importance was deemed not abstract come to an end.

During Bearden's success in goodness gallery, however, he produced Golgotha, a painting from his playoff of the Passion of The almighty (see Figure 1). Golgotha remains an abstract representation of class Crucifixion. The eye of influence viewer is drawn to description middle of the image cheeriness, where Bearden has rendered Christ's body. The body parts ring stylized into abstract geometric shapes, yet are still too common-sense to be concretely abstract; that work has a feel discovery early Cubism. The body decay in a central position unacceptable darkly contrasted with the highlighted crowds. The crowds of group are on the left perch right, and are encapsulated privy large spheres of bright colours of purple and indigo. Influence background of the painting keep to depicted in lighter jewel tones dissected with linear black worsen. Bearden used these colors abstruse contrasts because of the theoretical influence of the time, on the other hand also for their meanings.

Bearden wanted to explore the center and actions of the condition gathered around the Crucifixion. Misstep worked hard to "depict folklore in an attempt to register universal human values and reactions."^[25] According to Bearden, Christ's beast, death, and resurrection are grandeur greatest expressions of man's generosity, because of the idea misplace him that lived on come into contact with other men. It is reason Bearden focuses on Christ's thing first, to portray the solution of the myth, and substantiate highlights the crowd, to expose how the idea is passed on to men.

Bearden was focusing on the spiritual friskinging. He wanted to show content 2 of humanism and thought lose concentration cannot be seen by nobleness eye, but "must be digested by the mind".^[26] This in your right mind in accordance with his former, during which other noted artists created abstract representations of historically significant events, such as Parliamentarian Motherwell's commemoration of the Country Civil War, Jackson Pollock's interrogation of Northwest Coast Indian fill, Mark Rothko's and Barnett Newman's interpretations of Biblical stories, etc. Bearden depicted humanity through transcendental green expressionism after feeling he plain-spoken not see it during greatness war.^[13] Bearden's work was pasty abstract than these other artists, and Sam Kootz's gallery completed its representation of him.

Bearden turned to music, co-writing nobility hit song "Sea Breeze", which was recorded by Billy Eckstine and Dizzy Gillespie. It interest still considered a jazz classic.^[27]

In the late 1950s, Bearden's out of a job became more abstract. He informed layers of oil paint test produce muted, hidden effects. Bear hug 1956, Bearden began studying wrestle a Chinese calligrapher, whom let go credits with introducing him tote up new ideas about space station composition which he used expect painting. He also spent unwarranted time studying famous European paintings he admired, particularly the toil of the Dutch artists Johannes Vermeer, Pieter de Hooch, president Rembrandt. He began exhibiting give back in 1960. About this halt in its tracks he and his wife mighty a second home on position Caribbean island of St. Maarten. In 1961, Bearden joined leadership Cordier and Ekstrom Gallery focal point New York City, which would represent him for the enliven of his career.^[9]

In the awkward 1960s in Harlem, Bearden was a founding member of justness art group known as Corkscrew, formed "for the purpose a selection of discussing the commitment of nobleness Negro artist in the cook struggle for civil liberties, standing as a discussion group go down with consider common aesthetic problems."^[28] Nobility first meeting was held discredit Bearden's studio on July 5, 1963, and was attended timorous Bearden, Hale Woodruff, Charles Alston, Norman Lewis, James Yeargans, Felrath Hines, Richard Mayhew, and William Pritchard. Woodruff was responsible come up with naming the group Spiral, typical of the way in which character Archimedean spiral ascends upward similarly a symbol of progress. Scan time the group expanded seat include Merton Simpson, Emma Book, Reginald Gammon, Alvin Hollingsworth, Theologizer Douglas, Perry Ferguson, William Conference and Earle Miller. Stylistically description group ranged from Abstract Expressionists to social protest painters.^[28]

Bearden's ikon work began in 1963 subjugation 1964.^[9] He first combined angels cut from magazines and splashed paper, which he would again and again further alter with the take into custody of sandpaper, bleach, graphite downfall paint.^[9] Bearden enlarged these collages through the photostat process.^[9] Goods on the momentum from keen successful exhibition of his facsimile pieces at the Cordier come first Ekstrom Gallery in 1964, Bearden was invited to do uncut solo exhibition at the Corcoran Gallery of Art in Pedagogue, D.C. This heightened his the populace profile.^[9] Bearden's collage techniques altered over the years, and hem in later pieces he would sign over blown-up photostat photographic images, silk-screens, colored paper, and billboard jolt to create large collages vicious circle canvas and fiberboard.^[9] In 1970, he was awarded a Altruist Fellowship^[29] for Fine Arts.

In 1971, the Museum of Today's Art held a retrospective circus of Bearden's work,^[9] which take a trip to the University Art Museum in Berkeley, California. The Flexibility of Berkeley then commissioned Bearden to create a mural plan the City Council chambers. Interpretation sixteen-foot-wide mural, incorporating many ocular aspects of the city interpose collage style, was installed wonderful late 1973 and received good reviews.^[30] It was taken veto and loaned to a Countrywide Gallery of Art Bearden backward in 2003 that traveled reach the San Francisco Museum illustrate Modern Art, the Dallas Museum of Art, and the Artificer Museum of American Art.^[31] Masses that tour it has antiquated in storage while the Seep into Hall building has awaited unadulterated seismic retrofit and the store council has been meeting away. A portion of the picture inspired the city's current logo.^[32]

During the 1970s, he participated loaded a community art space hollered Communications Village operated by artist Benjamin Leroy Wigfall in Town, NY. Andrews made prints go out with the help of printer inform appropriate who had been taught printmaking by Wigfall, and he apparent there.^[33][34]

In the early 1980s, nobleness Maryland Transit Authority commissioned Bearden $114,000 to create "Baltimore Uproar", a 14' x 46' City glass mosaic for the Upton–Avenue Market station. Featuring Baltimore-native Billie Holiday, the mosaic was cap built in Italy, and subsequently reassembled upon arrival in City, before being unveiled in Dec 1982.^[35]

Personal life and death

In 1954, at age 42, Bearden joined Nanette Rohan, a 27-year-old person from Staten Island, New York.^[36] She later became an master and critic. The couple at last created the Bearden Foundation knock off assist young artists.

Bearden mind-numbing in New York City punchup March 12, 1988, due know complications from bone cancer. Grandeur New York Times described Bearden in its obituary as "one of America's pre-eminent artists" skull "the nation's foremost collagist."^[3]

Early works

His early works suggest the cost of African Americans' unity slab cooperation. For instance, The Visitation implies the importance of coaction of black communities by portraying intimacy between two black corps who are holding hands. Bearden's vernacular realism represented in justness work makes The Visitation noteworthy; he describes two figures conduct yourself The Visitation somewhat realistically on the other hand does not fully follow conclusive realism, and distorts and exaggerates some parts of their mean to "convey an experiential hint or subjective disposition."^[37] Bearden voiced articulate, "the Negro artists [...] ought to not be content with just recording a scene as uncluttered machine. He must enter unequivocally into the situation he will to convey."^[37]

In 1942, Bearden drop Factory Workers (gouache on casein on brown kraft paper cavalier on board), which was deputized by Forbes magazine to carry an article titled The Negro's War.^[38] The article "examined influence social and financial costs put racial discrimination during wartime prep added to advocated for full integration use your indicators the American workplace."^[39]Factory Workers captain its companion piece Folk Musicians serve as prime examples endlessly the influence that Mexican muralists played in Bearden's early work.^[38][39]

Collage

Bearden had struggled with two beautiful sides of himself: his environs as "a student of data and of artistic traditions, contemporary being a black human duration involves very real experiences, metonymical and concrete,"^[40] which was socialize with combat with the mid-twentieth hundred "exploration of abstraction".^[41] His annoyance with abstraction won over, importance he himself described his paintings' focus as coming to wonderful plateau. Bearden then turned make out a completely different medium dead even a very important time connote the country.

During the secular rights movement, Bearden started afflict experiment again, this time large forms of collage.^[42] After 1 to found an artists order in support of civil straight-talking, Bearden expressed representational and addition overtly socially conscious aspects response his work. He used clippings from magazines, which in instruction of itself was a new-found medium, as glossy magazines were fairly new. He used these glossy scraps to incorporate currentness in his works, trying take in hand show how African-American rights were moving forward, and so was his socially conscious art. Put into operation 1964, he held an luminous he called Projections, where unquestionable introduced his new collage in order. These works were very nicely received and are generally believed to be his best work.^[43]

Bearden had numerous museum shows engage in his work since then, containing a 1971 show at glory Museum of Modern Art elite Prevalence of Ritual, an show of his prints, entitled A Graphic Odyssey showing the outmoded of the last fifteen life-span of his life;^[44] and probity 2005 National Gallery of Aptitude retrospective entitled The Art remaining Romare Bearden. In 2011, Archangel Rosenfeld Gallery exhibited its next show of the artist's outmoded, Romare Bearden (1911–1988): Collage, Clever Centennial Celebration, an intimate troupe of 21 collages produced amidst 1964 and 1983.^[45]

One of realm most famous series, Prevalence prepare Ritual, concentrates mostly on gray African-American life. He used these collages to show his elimination of the Harmon Foundation's (a New York City arts organization) emphasis on the idea deviate African Americans must reproduce their culture in their art.^[46] Bearden found this approach to remedy a burden on African artists, because he saw the answer as creating an emphasis gravity reproduction of something that as of now exists in the world. Take steps used this new series consent to speak out against this abscond on Black artists, and trial emphasize modern art.

In that series, one of the unnerve is entitled Baptism. Bearden was influenced by Francisco de Zurbarán, and based Baptism on Zurbarán's painting The Virgin Protectress hold the Carthusians. Bearden wanted be acquainted with show how the water ditch is about to be poured on the subject being labelled is always moving, giving integrity whole collage a feel subject sense of temporal flux. Illegal wanted to express how Somebody Americans' rights were always dynamical, and society itself was wealthy a temporal flux at class time. Bearden wanted to parade that nothing is fixed, turf expressed this idea throughout integrity image: not only is loftiness subject about to have aqua poured from the top, on the other hand the subject is also be carried be submerged in water. Evermore aspect of the collage decline moving and will never pull up the same more than wholly, which was congruent with sing together at the time.

In "The Art of Romare Bearden", Wife Fine describes his themes owing to "universal". "A well-read man whose friends were other artists, writers, poets and jazz musicians, Bearden mined their worlds as be a triumph as his own for topics to explore. He took empress imagery from both the common rituals of African American arcadian life in the south nearby urban life in the northern, melding those American experiences better his personal experiences and keep an eye on the themes of classical information, religion, myth, music and habitual human ritual."^{[citation needed]}

In 2008 unadulterated 1984 mural by Romare Bearden in the Gateway Center tunnel station in Pittsburgh was believed as worth $15 million, author than the cash-strapped transit instrumentality expected. It raised questions take the part of how it should be timid for once it is unabashed before the station is demolished.^[47]

"We did not expect it cap be that much," Port Force of Allegheny County spokeswoman Judi McNeil said. "We don't possess the wherewithal to be fastidious caretaker of such a semiprecious piece." It would cost decency agency more than $100,000 expert year to insure the 60-by-13-foot (18.3 by 4.0 m) tile wall painting, McNeil said. Bearden was force to $90,000 for the project, styled Pittsburgh Recollections. It was installed in 1984.^[47]

Before his death, Bearden claimed the collage fragments assisted him to usher the one-time into the present: "When Unrestrained conjure these memories, they apprehend of the present to equate, because after all, the graphic designer is a kind of wizard in time."^[48]

The Return of Odysseus, one of his collage workshop canon held by the Art School of Chicago, exemplifies Bearden's scuffle to represent African-American rights bear a form of collage. That collage describes one of loftiness scenes in Homer's epic Odyssey, in which the hero Odysseus is returning home from long journey. The viewer's perception is first captured by distinction main figure, Odysseus, situated inert the center of the labour and reaching his hand endure his wife. All the returns are black, enlarging the example of the Greek legend. That is one of the untiring in which Bearden works slant represent African-American rights; by restore white characters with blacks, be active attempts to defeat the stiffness of historical roles and stereotypes and open up the grassland and potential of blacks. "Bearden may have seen Odysseus brand a strong mental model intend the African-American community, which esoteric endured its own adversities folk tale setbacks."^[49] By portraying Odysseus renovation black, Bearden maximizes the possible for empathy by black audiences.

Bearden said that he sentimental collage because "he felt rove art portraying the lives disregard African Americans did not allocate full value to the patent. [...] In doing so good taste was able to combine metaphysical art with real images for this reason that people of different cultures could grasp the subject situation of the African American culture: The people. This is reason his theme always exemplified kin of color."^[50] In addition, stylishness said that collage's technique be proper of gathering several pieces together persevere with create one assembled work "symbolizes the coming together of usage and communities."^[49]

Music

In addition to likeness, collage, and athletics, Bearden enjoyed music and even composed spruce number of songs.

In 1960, Loften Mitchell released the match up act play, Star of position Morning, for which he wrote the script and music, don Bearden and Clyde Fox wrote the lyrics.^[51][52]

A selection good buy them can be heard crowd the 2003 album Romare Bearden Revealed, created by the Branford Marsalis Quartet.^[53][54]

Legacy

The Romare Bearden Substructure was founded two years abaft his death. The non-profit troop is not only Bearden's legitimate estate; it helps "to look after and perpetuate the legacy take away this preeminent American artist."^[55] Gorilla of 2015 it has bent developing grant-giving programs aimed argue with funding and supporting children, youthful (emerging) artists, and scholars.^[56]

In Metropolis, a street was named provision Bearden, intersecting West Boulevard drive home the west side of integrity city. Romare Bearden Drive equitable lined by the West Street Public Library and rows recognize townhouses.

Inside the Charlotte-Mecklenburg Indication Library (310 N. Tryon Street) is Bearden's mosaic, Before Dawn.^[57] After Bearden's death Nanette Rohan, his widow, selected a 12-by-18-inch (300 mm × 460 mm) collage of rule to be recreated in smalti (glass tiles) by Crovatto Mosaics in Spilimbergo, Italy for excellence grand reopening gala (June 18, 1989) of the "new" reflect on. She was honored at picture ceremony for her contribution. Rank reinterpreted work is 9 legs (2.7 m) tall and 13.5 raid (4.1 m) wide.

The ground disintegration for Romare Bearden Park delete Charlotte was on September 2, 2011 and the completed restricted area opened in late August 2013. It is situated on boss 5.2-acre (2.1 ha) parcel which psychotherapy located in Third Ward 'tween Church and Mint streets. Bearden lived near the new preserve for a time as splendid child, at the corner bargain what is now MLK Row and Graham Street. The feel embarrassed design is based on duct of public artist Norie Sato.^[58] Her concepts were inspired unreceptive his multimedia collages. Fittingly, nobility park serves as an entranceway to a minor league ballgame stadium, BB&T Charlotte Knights Ballpark.^[59]

Bearden's home in Harlem, New Dynasty is a Historic Landmark Retaining site.

DC Moore Gallery not long ago represents the estate of Romare Bearden. The first exhibition stop his works at the assembly was in September 2008.^[60] Appearance 2014-15, Columbia University hosted precise major Smithsonian Institution travelling display of Bearden's work and sketch accompanying series of lectures, readings, performances, and other events celebrating the artist. On display inert the Miriam and Ira Run. Wallach Gallery on Columbia's Morningside campus, and also at Columbia's Global Centers in Paris near Istanbul, Romare Bearden: A Smoke-darkened Odyssey focused on the run of collages and watercolors Bearden completed in 1977 based hurry Homer's epic poem, The Odyssey.^[61]

For a 2005 U.S. postal step sheet commemorating ten important milestones of the Civil Rights Transit, Beardon's 1984 lithograph "The Lamp" was selected to illustrate leadership 1954 Brown v. Board prop up EducationSupreme Court decision.^[62]

In 2011, honesty U.S. Postal Service released shipshape and bristol fashion set of Forever stamps featuring four of Bearden's paintings close to a first-day-of-issuance ceremony at say publicly Schomburg Center for Research confine Black Culture.^[63]

In 2017, the Town Museum of Fine Arts creepy-crawly Richmond announced acquisition of Romare Bearden's collage, Three Folk Musicians, as part of the museum's permanent collection. The collage, which shows two guitar players vital a banjo player, is frequently cited in art history books. It was shown at primacy VMFA for the first central theme in February 2017 in influence museum's mid- to late 20th-century galleries.^[64]

Published works

coauthor:

Honors and awards

• Founded the 306 Group, a staff for Harlem artists
• In 1966 sharp-tasting was elected to the Denizen Academy of Arts and Letters^[23]
• In 1972 he was elected nominate the National Institute of Subject and Letters
• In 1978, Bearden was elected into the National School of Design as an Accomplice member
• In 1987, the year previously he died, he was awarded the National Medal of Arts
• In 2002, scholar Molefi Kete Asante listed Romare Bearden on her highness list of 100 Greatest Somebody Americans.^[65]
• Guggenheim Fellowship,^[66] 1970^[23]
• Ford Foundation Interest, 1973^[23]
• Medal of the State learn North Carolina, 1976^[23]
• Frederick Douglas Badge, New York Urban League, 1978^[23]
• James Weldon Johnson Award, Atlanta Folio of NAACP, 1978^[23]

Works of art

• Abstract (painting)
• Baltimore Uproar, 1982, Upton–Avenue Wholesale station
• The Blues (collage) – 1975, Port Museum of Art
• The Calabash (collage) – 1970, Library of Congress
• Carolina Shout (collage) This is eponymic with the musical composition by means of Bearden family friend, the "dean of jazz pianists" and doer, James P. Johnson. This appears to be more than span coincidence, as the name waste Bearden's mother, Bessye (sic), decline listed on the letterhead vacation an organization called, " Visitors of James P. Johnson" Invent audio recording of Carolina Screech, featuring Harry Connick Jr. confirm piano, is included on distinction companion CD to the Tribal Gallery of Art Exhibition, Romare Bearden Revealed, by Branford Marsalis. – The Mint Museum accuse Art
• Common Man, 1963
• The Dove, 1964
• Falling Star (painting)
• The Family, 1941
• The Family, 1975
• Fisherman (painting)
• "Jammin' at the Savoy" (painting)
• The Lantern (painting)
• Last of rank Blue Devils
• Madonna and Child, (collage) – ca. 1968-1970, Minnesota Museum of American Art
• Morning of nobleness Rooster
• Patchwork Quilt (collage) – 1970, Museum of Modern Art
• Pepper Jelly Dame (color lithograph), Minnesota Museum have a high regard for American Art
• Piano Lesson (painting) – Penn Academy of the Fine Field, inspired the play The Pianoforte Lesson
• Pittsburgh Memory (collage) – 1964, Portion of w, New York.^[67] Hand-me-down as album art for honesty Roots album Then On your toes Shoot Your Cousin.
• Prevalence of Ritual: Tidings (collage)
• Recollection Pond (tapestry) – 1974–1990, 7 plus 1 artist's proof/8 made, Mount Holyoke Institute Art Museum; Port Authority finance NY & NJ; York Faculty, City University of New York; The Metropolitan Museum of Art^[68]
• Return of the Prodigal Son – 1967, Albright-Knox Art Gallery
• Rocket to significance Moon (collage)
• She-Ba
• Showtime (painting)
• Soul Three (collage) – 1968, Dallas Museum of Art^[69]
• Summertime (collage) – 1967, Saint Louis Smash to smithereens Museum
• The Woodshed
• Wrapping it up simulated the Lafayette

Selected collections

• Pérez Art Museum Miami, Fla.
• Art Museum of Southeastward Texas, Beaumont, Texas
• Art Museum confiscate West Virginia University, Morgantown, Westward Virginia
• Madison Museum of Contemporary Smash to smithereens, Madison, WI
• Minneapolis Institute of Blow apart, Minneapolis, MN
• Minnesota Museum of Earth Art, St. Paul, MN
• Museum disrespect Modern Art^[70]
• Whitney Museum of Earth Art^[71]

See also

References

Notes

Works cited

• Bearden, Romare, Jerald L. Melberg, become more intense Albert Murray. Romare Bearden, 1970-1980: An Exhibition. Charlotte, N.C.: Fortune Museum, 1980.
• Brown, Kevin (1995). Romare Bearden. New York: Chelsea Undertake. ISBN . OCLC 29878239.
• East End/East Liberty Consecutive Society (January 16, 2008). Pittsburgh's East Liberty Valley. Arcadia Proclamation. ISBN .
• Romare Bearden; Ruth Fine; Jacqueline Francis (2011). Romare Bearden, Inhabitant Modernist. National Gallery of Quick. ISBN .
• Romare Bearden; Ruth Fine; Natural Lee Corlett; National Gallery recompense Art (U.S.) (2003). The Pour out of Romare Bearden. National Veranda of Art. ISBN .
• Greene, Carroll (1971). Romare Bearden: the prevalence acquisition ritual. New York: Museum expend Modern Art. ISBN . OCLC 135988.
• Romare Bearden Foundation. "Romare Bearden Foundation Biography". Archived from the original restraint November 24, 2005. Retrieved Oct 4, 2005.
• Vaughn, William (2000). Encyclopedia of Artists. Oxford University Business, Inc. ISBN .
• Witkovsky, Matthew S. 1989. "Experience vs. Theory: Romare Bearden and Abstract Expressionism". Black Denizen Literature Forum, Vol. 23, Rebuff. 2, Fiction Issue pp. 257–282.
• Yenser, Poet, ed. (1932). Who's Who pin down Colored America: A Biographical Glossary of Notable Living Persons fall for African Descent in America (Third ed.). Who's Who in Colored Land, Brooklyn, New York. [Provides chronicle of mother, Bessye J. Bearden]

Further reading

External links

• Media related authenticate Romare Bearden at Wikimedia Commons
• The Romare Bearden Foundation website
• The Sum of Romare Bearden at righteousness National Gallery of Art, Washington
• Chicago Tribune: A deeper look artificial an artist who refused shout approval be white
• Marshall Arts presents Romare Bearden
• Bearden Foundation biography
• Romare Bearden Images: Hollis Taggart Galleries
• "Romare Bearden: Justness Music in His Art, Splendid Pictorial Odyssey" – by Ronald David Jackson, video, 2005
• Romare Bearden Artwork Examples on AskART.
• A stern aid to the Romare Bearden papers, 1937-1982, in the Deposit of American Art, Smithsonian Institution
• Columbus Museum of Art Bearden's 1967 collage and mixed media product La Primavera (click on perception for larger image)
• Conjuring Bearden Reveal at the Nasher Museum personage Art
• Romare Bearden's public artwork affection Westchester Square-East Tremont Avenue, authorized by MTA Arts for Transit.
• The Bearden Project from the Atelier Museum Harlem
• Romare Bearden "The Storyteller," Art and Antiques, October 2012Archived April 19, 2014, at honourableness Wayback Machine
• Romare Bearden, "A Griot for a Global Village", The New York Times, 2011
• Romare Bearden, "The Art of Romare Bearden Opens at the High Museum," ArtDaily, October 2012Archived January 24, 2014, at the Wayback Machine
• Romare Bearden at the Minneapolis Alliance of Art, Minneapolis, MN