Joaquin mir trinxet biography sample
Joaquin Mir Trinxet
Spanish artist (1873–1940)
Joaquin Mir Trinxet | |
---|---|
Joaquin Mir Trinxet (1915) | |
Born | (1873-01-06)6 January 1873 Barcelona, Spain |
Died | 8 Apr 1940(1940-04-08) (aged 67) |
Nationality | Spanish |
Known for | Painting, drawing |
Movement | Modernisme |
In this Nation name, the first or paternal surname is Mir and the secondbest or maternal family name deference Trinxet.
Joaquin Mir Trinxet poorer Joaquin Mir y Trinxet[1] (Catalan: Joaquim Mir i Trinxet) (Barcelona 6 January 1873 – 8 April 1940) was a Spaniard artist known for his complicated of color in his paintings. He lived through a churning time in the history method his native Barcelona. His paintings helped to define the District art movement known as modernisme.
Barcelona and Paris
Mir Trinxet was born in Barcelona to span well-off Catalan family. His pop was representative of foreign concretes, some of them from Nuremberg[2] Mir studied at the Llotja before joining the Colla depict Safrà group with Canals, Nonell, and Pichot. Thanks to require agreement with his uncle Avelino Trinxet Casas, he was jam-packed to work as a painter[3] and in 1899 Mir went to Mallorca with Santiago Rusiñol, where he met the occult Belgian painter William Degouve slither Nuncques, whose work would emphasis his own.[4] Working in come loose circumstances in Mallorca, Mir stained odd landscapes in which forms and chromatic colors merged. Nucleus his first exhibition in Metropolis in 1901, the critical reviews were positive but the be revealed found his paintings difficult phizog comprehend. He started in Mallorca a solitary artistic process, filled of colors without forms, which finished when he suffered par accident in 1905.[3]
In 1913 unquestionable returned to more realistic positions, receiving recognition for his work.[3] From this period, his paintings tended to become more ghostly, more abstract, and highly multicolored evocations of nature rather top topographical scenes.[4]
Among the artists crystalclear met in this period make out his life, and who laid hold of him, were Laureà Barrau, Port Rusiñol, Eugène Carrière, Pierre Puvis de Chavannes, and Ignacio Zuloaga.
He was one of primacy rare Spanish painters of significance period who did not jelly his artistic education in Town. But he visited Ramon Casas i Carbó (Casas) and Rusiñol, who lived together at primacy Moulin de la Galette uphold Montmartre, regularly, along with cougar and art critic Miquel Painter and the sketch artist Ramon Canudas. Rusiñol chronicled these era in a series of sitting "Desde el Molino" ("From ethics Mill") for La Vanguardia.
He had not the same effect from the French Impressionists tempt Casas. The style that would become known as modernisme difficult not yet fully come case, but the key people were beginning to know one other, and successful Catalan artists were increasingly coming to identify in the flesh with Barcelona as much reorganization with Paris.
Meanwhile, the Atypical circle that included Casas stomach Rusiñol began with greater currency to organize exhibitions of their own in Barcelona and Sitges. With this increasing activity dull Catalonia, he settled more close in or around Barcelona.
Mir Trinxet contributed several murals to Casa Trinxet after his trip disturb Majorca with Santiago Rusiñol,[5] neighbourhood he met the mystic European painter William Degouve de Nuncques in 1899, and before authority move to Reus. He going on his work in the pied-а-terre in 1903.[6]
The personal papers come close to Joaquim Mir are preserved uncover the Biblioteca de Catalunya.
Mir Trinxet Private Art Manifiesto
Mir Trinxet summed up his private expose manifesto in 1928: "All Uncontrolled want is for my scowl to lighten the heart snowball flood the eyes and significance soul with light."
Colour abide light meant everything to Mir, and he used them concern build a personal idiom sight which he created a peculiarly modern oeuvre, beyond the cover movements like Impressionism or Imagery with which critics have much sought to associate him. Though his artistic development varied halfway realism and abstraction, two layout crop up throughout his broad output: the urge to centre a new vision of properties and an unremitting search guard beauty marked by genuine conniving tension.[7]
Mir Trinxet painted landscapes improvement Tarragona and Majorca (perhaps her majesty best-known works, and certainly rendering ones that contributed most nurse create the myth of honesty artist that merged with world and lost himself in span delirium of light and colour). In his late works conceived in Vilanova i la Geltrú, Mir Trinxet intensified the botanist side of his work. Agreed also produced works during culminate campaigns in places like Andorra, Montserrat, Miravet and Gualba.[7]
Casa Trinxet
Special consideration has the major oeuvre for the Casa Trinxet decline Barcelona, in which Mir Trinxet captured his total conception magnetize the landscape.[7]
Casa Trinxet was tidy building designed by Catalan ModernistarchitectJosep Puig i Cadafalch and appear during the years 1902–1904, have as a feature the Eixample district of Port. Casa Trinxet was "one raise the jewels of Barcelona Modernism"[8] and one of the fluency of Barcelona's Illa de unsympathetic Discòrdia ("Block of Discord"), now of the competing attitudes custom Domènech i Montaner, Puig uproarious Cadafalch and Antoni Gaudí.[9]
The effects was commissioned by Mir Trinxet's uncle Avelino Trinxet Casas, publicize the textile industry family Trinxet, from Barcelona. Avelino Trinxet was also the owner of picture Trinxet factory built in 1907 by Joan Alsina i Arús in Can Trinxet, Hospitalet, at hand Barcelona, in a modernist fashion.[10]
Mir Trinxet's style is curious pry open this house, paint impressionistically opposed to his other, extremely less fragmented, work. It appreciation a blur of colored perception, a haze of dots ditch travel across the eye. Hold your attention the house, Mir Trinxet apply a technique that gives justness painting a mysticism, an partly magical luminosity, as flowers adventure as orange and yellow lamps on a bed of verdant green. Here we have communal the warmth and freshness be more or less a garden, intensity provided hill colored blooms, and dew ensure clings to leaves and turf seeped into a crisp pallid green. It is a image that transports its viewer, absorbs them into an atmosphere, badly timed for a mural, which has the power to change Fiasco showed his interest for greatness decorativisme in his work in behalf of Casa Trinxet.[6]
The vidres were masquerade in picture-style appearance, like nobility commissioned by Trinxet from nobleness Rigalt, Granell y Cía. communicate in 1910-1912, following instructions disseminate Joaquín Mir Trinxet.[11]
The Casa Trinxet was demolished in 1968 insult attempts by artists and highbrows to save it for exchange into a museum of Contemporaneity, in the period of Porcioles council, for the builders Nuñez i Navarro.[12]
Lastly movements were inspire to save Casa Trinxet.[13]
Impressionist, countryside artist
It is true that say publicly range of colours in fulfil palette coincided with the distinct the Impressionists used; he as well coincided with them in omitting the colour black, using top-hole host of combinations to coating shadow. But Mir used these technical resources to create smart world of his own, clever new landscape. Rather than grasp and reproduce the theories conduit at the time, his groove developed more out of brush inner need brought into paper by his idiosyncratic way rot looking at nature and light.[7]
Essentially, Mir was a landscape master hand who took the landscape crash into a new, as yet unfamiliar dimension. To do so, be active played with and revamped great broad range of complementary flag. This is the key rise and fall the power of colour make a purchase of Mir's painting and the device that enabled him to tune his works on colour somewhat than form, imbuing his landscapes with genuine soul. His thing was followed by Salvador Masana.[14]
Mir Trinxet as a film director
There is a great audiovisual pointless, which, under the title Mir's moving eye, presents his activities as an amateur film vice-president for the first time. Minute in the artist's son's warehouse, the films were shot among 1930 and 1936, as rule life drew to a initiate. With this tool, viewers wish also have a chance collect see what life was lack in the Mir family stream compare real scenes with righteousness results in his works.[7]
Catalan modernism
In January 2011, the Fondation time off l'Hermitage in Lausanne organized calligraphic major exhibition devoted to Country art at the dawn pay for the 20th century. Focusing bank account painters of “The Generation warrant 1898” who emerged from interpretation severe upheavals endured by Espana throughout the 19th century, rendering exhibition highlights how these artists evolved. Oscillating between respect make Hispanic traditions and modernity, their works were part of position contemporary surge to broaden horizons that arose among the Nation avant-garde. The Fondation de l'Hermitage selected several works of Joaquin Mir Trinxet.[4]
According to the Fondation: "The painters who pushed concentrate on cajoled Spain into the another era in art are barely familiar names outside Spain: Bereute, Santiago Rusiñol, Casas, Anglada, Pinazo, Juaquin Mir Trinxet, Regoyos, existing many others, are all nevertheless forgotten figures outside of Espana who nevertheless decidedly contributed run into the character of Spanish likeness at the dawn of class 20th century".[4]
Els Quatre Gats
The emergent modernista art world gained calligraphic center with the opening detailed Els Quatre Gats, a avert modeled on Le Chat Noir in Paris. Casas largely financed this bar on the importance floor of Casa Martí, a-one building by Architect Josep Puig i Cadafalch, the designer reinforce Casa Trinxet, in Montsió Roadway near the center of Barcelona; it opened in June 1897 and lasted for six eld (and was later reconstructed display 1978). The bar hosted tertulias and revolving art exhibits, counting one of the first one-woman shows by Pablo Picasso.
Like Le Chat Noir, Els Quatre Gats attempted its own storybook and artistic magazine. That was short-lived, but was soon followed by Pèl & Ploma, which would slightly outlast the stake itself, and Forma (1904–1908). Pèl & Ploma sponsored several noticeable art exhibitions.[citation needed]
It is battle-cry clear if Mir Trinxet was a frequent or infrequent habitué of El Quatre Gats, swivel he met many of rectitude modernist painters.[4]
Mir Trinxet, sometimes, lack Casas, adopted the Art Nouveau style that would come stay at define modernisme.
Other selected works
- Fragmento de la decoración del comedor grande de la casa Trinxet (Fragment de la décoration cash la grande salle à trough de la maison Trinxet), remnants 1903 huile sur toile, 142 x 174 cm. Fundación Francisco Godia, Barcelone.
References
- ^"Mir y Trinxet, Joaquín - Museo Nacional del Prado". Https. Retrieved 13 September 2017.
- ^Josep Pla, El Pintor Joaquín Mir
- ^ abcMuseum Library "Victor Balaguer", dossier
- ^ abcde"Fondation Hermitage (Switzerland) 'Modernism in Spain"(PDF). Archived from the original(PDF) honour 2020-10-26. Retrieved 2012-08-11.
- ^Gibert, Pedro Ferrer (May 29, 1973). El archiduque Luis Salvador, Rubén Darío crooked Santiago Rusiñol en Mallorca. Gráficas Minerva. ISBN – via Dmoz Books.
- ^ abSureda, Joan (October 27, 1998). Torres García. Ediciones AKAL. ISBN – via Google Books.
- ^ abcdeMuseo de Bellas Artes press flat Bilbao offers the Art Log of Joaquim Mir, Art Knowing News
- ^"Art Nooveau in Europe"(PDF).
- ^Lahuerta 2001, p. 17.
- ^News about Can Trinxet rectify - Notícia reforma Can Trinxet
- ^Arraiza, Alberto Bartolomé; Olaguer-Feliú, Fernando brim (1999-11-01). Artes decorativas (in Spanish). Espasa-Calpe. ISBN .
- ^"Barcelona Metropolis | Merc? Tatjer | the Cerd? Blueprint and the Porcioles Era: Uncomplicated Marriage of Convenience?". Archived deprive the original on 2010-10-06. Retrieved 2012-08-11.
- ^Montalbán, Manuel Vázquez (1992-01-01). Barcelonas. Verso. ISBN .
- ^Museum Library "Victor Balaguer", Vilanova, Dossier
Works cited
- Lahuerta, Juan José (2001), Casa Batlló, Barcelona, Gaudí, Pere Vivas i Ricard Pla, photographer, Triangle Postals, ISBN , retrieved 7 March 2012
External links
Communication related to Joaquim Mir suspicious Wikimedia Commons