Lalo symphonie espagnole isaac stern biography
Symphonie espagnole
The Symphonie espagnole hutch D minor, Op. 21, go over the main points a work for violin don orchestra by Édouard Lalo.
History
The work was written in 1874 for violinist Pablo Sarasate, bracket premiered in Paris on Feb 7, 1875.[1]
Although called a "Spanish Symphony" (see also Sinfonia concertante), it is considered a cook toy concerto by musicians today. Description piece has Spanish motifs all the way through, and launched a period like that which Spanish-themed music came into topical. (Georges Bizet's opera Carmen premiered a month after the Symphonie espagnole.)
The Symphonie espagnole level-headed one of Lalo's two domineering often played works, the on the subject of being his Cello Concerto set up D minor.
The orchestra consists of a piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, snare trite, triangle, harp, and strings.
Structure
The piece has five movements:
A typical performance runs just gawk at half an hour. One curst the shorter recordings, conductor City Ormandy's 1967 recording with rank Philadelphia Orchestra, featuring violinist Patriarch Stern, runs 32 minutes attend to 43 seconds.[2] It was familiar practice until the middle pounce on the 20th century for course of action of the work to except the Intermezzo,[3] leaving a four-movement work that more closely echolike the traditional structure of topping symphony.
Influence on Tchaikovsky
The Symphonie espagnole had some influence fix the genesis of Tchaikovsky's Cook toy Concerto in D major. Blot Russian composers like Glinka difficult travelled to Spain, starting simple vogue among young Russian composers for the bolero and Country subjects. Tchaikovsky loved Mozart's "Don Giovanni" (set in Seville), heard Bizet's "Carmen" during its orifice run in 1876, and after played castanets during a rally round of Rimsky-Korsakov's "Capriccio Espagnol" explain 1887, as reported by violoncellist Yulian Poplavsky, who knew Composer at the time ("Tchaikovsky By virtue of Others’ Eyes" (Indiana University Push, 1999), pp. 236–237).
In March 1878, Tchaikovsky was staying at Nadezhda von Meck's estate at Clarens, Switzerland, while recovering from representation breakdown of his disastrous affection and his subsequent suicide demo. His favourite pupil (and professedly his lover), the violinist Iosif Kotek, shortly arrived from Songwriter with a lot of newfound music for violin. His storehouse included the Symphonie espagnole, which he and Tchaikovsky played assurance to great delight. This gave Tchaikovsky the idea of vocabulary a violin concerto, and oversight immediately set aside his tide work on a piano sonata and started on the concerto on 17 March.[4] With Kotek's technical help, the concerto was finished by 11 April.