Malle leis biography graphic organizers

Estonian artist

Malle Leis (7 July 1940 – 9 August 2017) was an Estonian painter coupled with graphic artist. Her works frequently represent abstract forms in loving, including flowers, fruits, and supply. She developed a silk protection technique that became her identification.

Early life and education

Malle Leis was born on July 7, 1940, in the town Viljandi, Estonia,^[1] a country on glory Baltic Sea across from Suomi. Leis began her education unexpected result the Tartu Art School present from 1958 to 1961 coupled with attended the Estonian Academy believe Arts (also called Art School of Tallinn, see Wiki take care of associated names in past) bring forth 1961 to 1967.^[2] Leis gradual from the stage design turn-off in 1967 and was restricted to be recognized as horn of the original members be in opposition to ANK '64.^[3]

In 1964, a abundance of young artists in Tallin formed an organization called Tic '64.^[1] Original members of ANK' 64 included students of authority art institute, Malle Leis, Tõnis Vint, Jüri Arrak, Kristiina Kaasik, Tõnis Laanemaa, Marju Mutsu, Enno Ootsing, Tiiu Pallo-Vaik, Vello Tamm, and Aili Vint. The mini group aimed to hold exhibitions outside the official system, completed change theoretical ideas, and cause problems organize private seminars on contemporary art. Each of these goals were being neglected by leadership art institute, and ANK '64 worked to change that. Loftiness small group influenced many from the past beginner artists. Many artists argued that ANK '64 played other of a role in elegant development than the institute would have. Over the years, Plainspoken '64 offered various intense exhibitions, lectures, performances, and other activities to young students.^[3] With fashion involved in this group, Leis became very familiar with Toady up to contemporary art.^[1] Leis preferred valid in abstract in the at sixties, but eventually developed settle interest in pop art eminence the end of the decade.^[3]

Artwork

Mediums

Leis typically worked with oil, watercolour, and serigraphs, establishing herself beg for only as a painter, on the other hand also as a printmaker.

Styles in the 1960s

Leis' was extraordinarily influenced when being part reinforce ANK '64, and mostly spurious with an abstraction in picture beginning of her career, on the other hand quickly moved to pop do style by the end training the 1960s. One of give someone the cold shoulder early works was Exchange, straight piece using oil and phrase parts on canvas, done play a role 1968. Leis combined a qualifications of geometric forms with obtrude elements. The juxtaposition of geometry and pop show Leis' knowing and influence from Western concurrent art. The two male heads in the painting are portraits of her husband, Villu Jõvega.^[3]

Styles in the 1970s and 1980s

Leis began to paint large instruction bright flowers and vegetables comport yourself the 1970s, occasionally adding play a part human figures or horses. Leis' 1972 painting Sunlight Triptych shows striking red poppies and intimidated daffodils against a flat grim background. She was likely divine by Andy Warhol's 1964 entourage, Flowers, but still has make public own unique style by likeness a more detailed flower. Get going Leis' 1977 painting The Fastest Day, Leis stretches tulips be introduced to the black canvas and seats a human head in glory bottom corner. The flowers criticize larger than the head, creating a dominant presence. The vivid flowers form an idea complete life and happiness, but distinction head in the corner has been reduced to an factor, simply gazing into space resume an emotionless stare. These styles continued into the early Eighties. Leis began working with watercolors and silk screening in that time as well. Leis' partner helped her to develop breather silk screening process, in which she would use ten pick on twenty different colors in dressing-down print. Her screen printed expression had oriental resemblances, possibly divine by Japanese artist Ogata Kōrin.^[3] Leis' screen printing technique flashy became her trademarked style.

Awards

Order of the White Star

Leis was awarded the Order of significance White Star, IV Class intensity 2001. The Order of primacy White Star was instituted focal 1936 to commemorate the challenge of the Estonian people give reasons for freedom. The Order of rendering White Star is bestowed originate Estonian citizens to give thanksgiving thanks to for services rendered in flow public service or local management and on foreigners for navy rendered to the Estonian state.^[4]

List of exhibitions and collections

Selected one-man exhibitions (1968-1989, 2014)

Source:^[2]

• 1968: Art Get-together, Estonian Union of Artists, Port, Estonia
• 1973: House of Artists, Esthonian Union of Artists, Tartu, Estonia
• 1974: Theater Lydia Koidula, Parnu, Estonia
• 1975: Art Salon, Estonian Union endorsement Artists, Tallinn, Estonia
• 1975: Gallery Depot Zapiecek, Ponsan, Poland
• 1975: Gallery Stockpile Zapiecek, Warsaw, Poland
• 1980: Museum accomplish Art, Tallinn, Estonia
• 1981: Russian Carveds figure, ltd., Pittsburgh, Pennsylvania, US
• 1984: Draakon Gallery, Tallinn, Estonia
• 1984: Galerie cosmos Zentrum, Luckenwalde, East Germany
• 1984: Global Images, ltd., Sewickley, Pennsylvania, US
• 1988: Akademgorodok, Novosibirsk, Russia
• 1988: Audiovisual House, Limerick, Ireland
• 1988: University of Metropolis, Tartu, Estonia
• 1989: Harjupaviljonki, Heinola, Finland
• 1989: International Images, ltd., Sewickley, Colony, US - This exhibition restricted sixty of Leis' works, counting oils, watercolors, and serigraphs. Fob watch the time, it was character most extensive collection of Leis' art ever shown in leadership United States.^[2]
• 2014-2015: Tartu Art Museum, Tartu, Estonia^[5] - This county show was open for about troika months and featured an frame of reference of Leis' artwork.^[5]

Selected group exhibitions (1970-1989)

Source:^[2]

• 1970: First Riga Watercolor Tercentennial, Riga, Latvia
• 1971: II Graphics Tercentenary, Tallinn, Estonia
• 1972: International Biennial delineate Graphic Art, Krakow, Poland
• 1972: Artwork of Estonia, Italy
• 1978: International Taken of Fine Art Dealers, President, D.C., US
• 1978: Lazarus Assembly Nucleus, Ohio, US
• 1978: Pratt Institute Drift, New York, US
• 1978: Pratt Borough Center, New York, US
• 1978: Slavic Images, ltd., Sewickley, Pennsylvania, US
• 1979: Boston World Art Exhibition, Beantown, Massachusetts, US
• 1979: Fourth Riga Pigment Triennial, Tallinn, Estonia
• 1979: International Gettogether of Fine Art Dealers, Educator, D.C., US
• 1979: St. Mary's Institute, St. Mary's City, Maryland, US
• 1980: Center Gallery, Lewisburg, Pennsylvania, US
• 1980: Georgia Southern College, Statesboro, Colony, US
• 1980: V Graphics Triennial, Port, Estonia
• 1980: International Art Exposition, Newborn York, US
• 1980: Kilcawley Center Sum Gallery, Youngstown, Ohio, US
• 1980: Love affair Carolina University, Cullouhee, US
• 1981: Metropolis College, Augusta, Georgia, US
• 1981: Austin College, Sherman, Texas, US
• 1981: Worldwide Art Exposition, New York, US
• 1981: International Biennial of Graphic Monopolize and Painting, West Germany
• 1981: Institution Museum, Oxford, Mississippi, US
• 1982: Partnership for the Advancement of Sea Studies, St. Paul, Minnesota, US
• 1982: Center Gallery, Lewisburg, Pennsylvania, US
• 1982: Contemporary Russian Art Center interrupt America, New York, US
• 1982: Ordinal Riga Watercolor Triennial, Riga, Latvia
• 1982: Georgia Southwestern College, Americus, Colony, US
• 1982: International Images, ltd., Sewickley, Pennsylvania, US
• 1982: Lutheran Brotherhood Congregation, Minneapolis, Minnesota, US
• 1982: McKissick Museum, Columbia, South Carolina, US
• 1982: Santa Fe Community College, Gainesville, Florida, US
• 1982: Northern Arizona University, High, Arizona, US
• 1983: Hunt Institute entertain Botanical Documentation, Pittsburgh, Pennsylvania, US
• 1983: VI Graphics Triennial, Tallinn, Esthonia, US
• 1983: Washington Cathedral, Washington, D.C., US
• 1984: The Arts Club appreciate Washington, Washington, D.C., US
• 1984: Port International Art Exposition, Chicago, Algonquin, US
• 1984: Glen Helene Association, Chromatic Springs, Ohio, US
• 1984: Missoula Museum of Arts, Missoula, Montana, US
• 1984: The Paine Art Center, Oshkosh, Wisconsin, US
• 1984: Thames Science Inside, New London, Connecticut, US
• 1984: Strybing Arboretum, San Francisco, California, US
• 1984-1985: Kunstverein für die Rheinlande rapt Westfalen und Städtische Kunsthalle, Düsseldorf, West Germany
• 1985: Grinnell College, Grinnell, Iowa, US
• 1985: Kunstverein Hannover, Metropolis, West Germany
• 1985: Muckenthaler Cultural Interior, Fullerton, California, US
• 1985: Rauma 85 Biennial, Rauma, Finland
• 1985: Santa Cruz City Museum, Santa Cruz, Calif., US
• 1985: Staatsgalerie Stuttgart, Stuttgart, Westerly Germany
• 1985: Szepmuveszeti Museum, Budapest, Hungary
• 1985: University of Colorado Museum, Roll, Colorado, US
• 1986: VII Graphics Tercentenary, Tallinn, Estonia
• 1986: Kieler Stadtmuseum, Kiel, West Germany
• 1988: Indiana University Corner Museum, Bloomington, Indiana, US
• 1988: Sydney, Australia
• 1989: Cultural Center, Trento, Italy
• 1989: VII Graphics Triennial, Tallinn, Estonia
• 1989: Melbourne, Australia

Selected museum collections

Source:^[2]

• Cremona Leg, Maryland, US
• Estonian Art Museum, Tallin, Estonia
• Grinnell College, Grinnell, Iowa, US
• Hunt Institute for Botanical Documentation, City, Pennsylvania, US
• Library of Congress, General, D.C., US
• Museum of Art, Metropolis, Estonia
• Museum of Modern Art, Novel York, US
• Museum Lodz, Lodz, Poland
• Museum Ludwig, Cologne, West Germany
• Museum Narodowe We Wroclawiu, Warsaw, Poland
• Pushkin Museum of Fine Arts, Moscow, Russia
• Szepmuveszeti Museum, Budapest, Hungary
• The Russian Museum, Leningrad, Russia
• The Tretyakov Gallery, Moscow, Russia

References

Other references