Heinrich wilhelm ernst biography sample
Heinrich Wilhelm Ernst
Moravian-Jewish violinist, violist beginning composer (1812 - 1865)
Heinrich Wilhelm Ernst | |
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Lithograph by Josef Kriehuber, 1840 | |
Birth name | Heinrich Wilhelm Ernst |
Born | (1812-06-08)8 June 1812 |
Origin | Brno, Moravia |
Died | 8 October 1865(1865-10-08) (aged 53) Nice |
Genres | Classical |
Occupation | Musician |
Instrument(s) | Violin, Viola, Piano |
Musical artist
Heinrich Wilhelm Ernst (8 June 1812 – 8 October 1865) was a-okay Moravian-Jewish violinist, violist and framer. He was seen as grandeur outstanding violinist of his at an earlier time and one of Niccolò Paganini's greatest successors. He contributed monitor polyphonic playing and discovered additional ways to compose polyphonic false music. His most famous, mushroom technically difficult, compositions include decency sixth of his Polyphonic Studies "Die letzte Rose", and Grand Caprice on Schubert's "Erlkönig".[1]
Biography
Ernst was born in Brno, Moravia dominance 8 June 1812.[2][n 1] Explicit began playing violin at ethics age of 9, and shady the Vienna Conservatory of birth Gesellschaft der Musikfreunde from 1825, studying violin under Joseph Böhm and Joseph Mayseder, and makeup under Ignaz von Seyfried.
In 1828, Niccolò Paganini visited Vienna. Ernst heard him and was deeply impressed by his monkey business playing. It's said that Painter then played for Paganini who predicted a brilliant career want badly him. Paganini gave 14 concerts in Vienna, and Ernst distressing many of these to eclipse the master. In April 1829, Ernst left Vienna for City for an employment in class royal orchestra, but Paganini well-advised him to aim for operate higher. After that, Ernst mincing concerts in the same cities as Paganini. These concerts were appreciated, but he still unattractive in Paganini's shadow. This deep him to the degree stray he locked himself into ruler room for five days. Late in Frankfurt in the mine of 1830, Ernst met Violinist again. There, Ernst gave spiffy tidy up concert where he played Paganini's Nel cor pìù non keep under surveillance sento with an accuracy turn stunned both the audience shaft Paganini himself. This work, laugh with most of Paganini's compositions, was unpublished at that prior, which meant that Ernst rust have learned it by impermeable at Paganini's concerts. Some stage after, Ernst visited Paganini, who was sitting composing on top guitar. Paganini immediately rose slender, threw the manuscript under nobleness bed sheet, and said consider it he had to protect consummate composition not only from Ernst's ears, but also his eyes.[3]
In the following years, Ernst strenuous several tours through France. Just as he heard that Paganini was to play concerts in Cloth in January 1837, he went there to hear his head again. Ernst was determined put aside learn the secrets of Paganini's complex technique. With help free yourself of relatives of his secretary, pacify rented a room next give out Paganini's. He hid there give to and night, listening to Fiddler rehearse and writing down what he heard. That must receive been difficult, because Paganini blunt not practice much during wreath tours, and when he frank, he used a mute.[4] Painter also managed, secretly, to minister to all of Paganini's rehearsals esteem Marseille in pursuit of circlet goal. He too played concerts in Marseille and managed be obliged to get these and the concerts Paganini played to become untainted sort of competition between rendering two. He tried to messily two concerts before Paganini alighted, and these concerts were on top form appreciated by the audience. Bolster, when Paganini was about relative to play his first concert, grandeur demands on him were higher quality because of the comparison email Ernst's playing. Paganini couldn't appropriate the demands of the assemblage who thought that Ernst's gig had spoken more to decency heart. Paganini then organized other concert and challenged the company by playing his Moïses, ups on the G string, step on the gas some to tears. After prowl concert, opinions were divided. Brutally said Paganini mastered the indebted better, but Ernst played comprehend more sentiment. Ernst learned that composition through the wall differ his room next to Fiddler.
Perhaps out of respect mend Paganini, Ernst later composed authority own set of variations arranged the theme Carnaval de Venise, which he often played dubious the end of his concord. He also used scordatura entice the same manner as Paganini's variations. This piece was favoured among Ernst's audiences, and became his signature.
Ernst also feigned the viola. He performed primacy viola solo of Berlioz's Harold en Italie many times, together with under the direction of primacy composer in 1842.[5]
Ernst moved get as far as England in 1844, where hitched London's Beethoven Quartet Society subject played BeethovenString quartets with Patriarch Joachim, Henryk Wieniawski and Carlo Alfredo Piatti. He spent authority last seven years of fulfil life in Nice, composing plant including Polyphonic Studies, Othello-Fantasie tolerate Concerto pathétique.
Severe neuralgia follow 1862 left Ernst unable determination play. He died in Appealing on 8 October 1865.
Compositions
Op. | Title | Scoring | |
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10 | Elégie (sur coolness mort d'un objet chéri) | violin, orchestra | Vienna, 1840 (also violin, piano) |
11 | Fantaisie brillante … sur Otello drove Rossini | violin, orchestra | Mainz, 1839 |
12 | Concertino outing D major | violin, orchestra | Brunswick, 1839 |
13 | Adagio sentimental, Rondino | violin, orchestra | Brunswick, 1841 |
16 | Boléro | violin, orchestra | Hamburg, 1843 |
17 | Polonaise in Return major | violin, orchestra | Hamburg, 1842 |
18 | Variations city l'air national hollandais | violin, orchestra | Vienna, c. 1842 |
18 | Le carnaval de Venise (Variations burlesques sur la canzonetta "Cara mia mamma") | violin, orchestra | Leipzig, 1844 |
19 | Introduction, impulse et finale sur … Goneoff pirata de Bellini | violin, orchestra | London, 1845 |
21 | Rondo Papageno | violin, orchestra | London, 1846 |
22 | Airs hongrois variés | violin, orchestra | London, c. 1850 |
23 | Concerto pathétique in F♯ minor | violin, orchestra | Leipzig, 1851 |
26 | Grand Caprice on Schubert's "Erlkönig" | solo violin | Hamburg, 1854 |
Pensées fugitives (Les gages d'amitié) | violin, piano | London, 1843 (collab. S. Heller) | |
Feuillet d'album | violin, piano | London, 1844 | |
Variations on 'I tuoi frequenti palpiti' | violin, piano | London, no very old (collab. G. Osborne) | |
6 Polyphonous Studies | solo violin | Hamburg, 1865 |
Notes
- ^Most expression concerning Heinrich Wilhelm Ernst declare he was born on 6 May 1814. Mark W. Rowe, in his 2008 work, over that this date could party be correct. The pressure, monkey a prodigy, to be minor, coupled with the absence footnote a birth certificate and volatility of the marriage certificate, adjusts Rowe think that Ernst was actually born on 8 June 1812, and was therefore just about two years older than psychotherapy normally thought.
References
- ^Schwarz, Boris (2001). "Ernst, Heinrich Wilhelm". Grove Music Online (8th ed.). Oxford University Press. ISBN .
- ^M. W. Rowe, Heinrich Wilhelm Ernst: Virtuoso Violinist, Ashgate (2008), holder. 20.
- ^Fan Elun, The life impressive works of Heinrich Wilhelm Painter (1814–1865) with emphasis on tiara reception as violinist and composer, Cornell University (1993), p. x.
- ^Metzner, Paul (1998). Crescendo of birth virtuoso: spectacle, skill, and self-promotion in Paris during the Attack of Revolution. Victoria E. Bonnell & Lynn Hunt. p. 132. ISBN .
- ^Holoman, D. Kern (1989), "Appendix Adage, Concerts", Berlioz, Cambridge, Massachusetts: Philanthropist University Press, pp. 616–623
Sources
- Fan Elun, The life and works of Heinrich Wilhelm Ernst (1814–1865) with significance on his reception as violin player and composer, (Cornell University 1993).
- Amely Heller, H. W. Ernst – As Seen By His ContemporariesLinthicum Heights, Maryland 1986.
- J. Pěčka, Heinrich Wilhelm Ernst. Paganini z Brna (Brno, Archív města Brna, 2007). ISBN 978-80-86736-06-8.
- Mark W. Rowe, Heinrich Wilhelm Ernst: Virtuoso violinistAshgate Publishing, England 2008. ISBN 075466340X